intelligent communication. since 1967, astronomers have been receiving and cataloging very precisely timed radio pulses coming from sources they call pulsars. they have long assumed these to be natural sources, exotic spinning stars that emit laser-like radio beams that sweep through space much like lighthouse signal sequences. highly regular flashes and complex signal ordering are produced through intelligent modulation of their beam s intensity and direction of polarization. more significantly, through their seemingly purposeful geometrical alignments, pulsars appear to be conveying a coherent message. are these beacons from an intelligent origin? and are they warning beacons to warn us against the next shockwave that comes of the active galactic nucleus ore want they attack us? it might be prudent to consider whether we are talking about friends or foes.....mike storm.

the 6th release on bond celebrates its makers return to the wheel. it consists of three tracks made by petter b and is part of a series called roots. the a-side, roots pt i, is as ballistic track that got a simple yet addictive stab as a hook. it sound could best be described as that t-shirt you went clubbing in for 24h and that you should wash thoroughly before ever wearing again. that dirty. on the flip side you got drummer iii which, like its predecessors, is a simple yet effective tool track. last but not least you got shut your eyes. follow the titles advice and leap of into infinity and beyond with this 303/707 minimalistic soundscape voyage. a perfect end to a great night.

at last cv313s magnum opus comes to life on wax. the album is engineered and mixed down from 1/4 inch analog tape, and mastered by the talented fellas at alchemy mastering in london, focusing and enriching every finite detail. this lp edition features never before heard songs emitted from the cd and made exclusively for the lp edition.

phil moffa is an accomplished audio engineer who has worked with nile rodgers, seth troxler, anthony parasole, the martinez brothers, kool keith, roc marciano, and many others. we are honored to release his first solo effort for plan b recordings, a quartet of tracks made from the various machines in phils butcha sound studios. from the hypnotic *warm wave* to the berghain-worthy *premonition*, this is modern machine music for dark dance floors.

dance aiming to go somewhat deeper and darker than his debut album, on some kind of sign ernesto endevours to go beyond the obvious and easily cliched elements of an electronic lp, capturing the world within the spaces, using otherworldly modulars and field recordings to take the listener to the outer reaches of the albums very heart and soul.

plus sized house hitmaker dj sneak has knocked together his second release for exploited records, laying down some serious swing on 3 club tracks which are destined to make dance floors sweat this summer, from ibiza to points beyond. with sneak s infamous grill and barbecue sessions in mind the night dish ep is a proper doner kebab and satay meal after a heavy night out in berlin. featuring artwork by berlin-based street artist nomad.

2014 repress! super music for super people. lucky you!the universe must love you dearly because you are about to experience the various artists series from the fantastic ursl records. this record is jam packed with only the best tracks from all-time - past, present and future! original hits from original stars! play this record at any party anytime and you will be the undisputed hero of the night, a true master of ceremony. simply place the needle to the record and watch as the boys and girls instantly transform into crazy party monsters, smiling from ear to ear, exploding with love and and funk on your dance floor. each one of these body-rocking ursl superhits have been played by super famous superstars on dance floors across the galaxy and throughout the entire dimension of time to devastating effect. so grab this red hot compilation of solid-gold chart-topping ursl superhits today. its guaranteed fresh to infinity and beyond, yeah!

these days house music is often about a 4/4 beat and a catchy groove. the idea is to do something simple to which you can get your groove and, and not so much about listening. the borders of electronic dance music makes room for the hypnotic beats, the driving grooves, but not always the melodic universes. leman & dieckmann have been making music for several years, both together and apart, but almost all of their music was driven mainly by the beat. but both having an urge to discover the dynamics of melodic synths and melodic percussion they decided to make an album. they agreed that the album had to tell a story, and like so many times before in music the topic became love. the story they try to tell through the music on the album *takes two* is the story of a breakup, the denial of the need of love, and the discover of the fact that often in life it takes two, to be happy.

life, death, energy, love, hope, danger, agony, peace, if i stop today it was still worth it. even the terrible mistakes, that i have made and would have unmade if i could, or that maybe i would just redo the same. the pains and thoughts that have burned me and scarred my soul, it was worth it for having been allowed to walk where i ve walked. which was to hell on earth, heaven on earth, back again, into, under, far in between, through it, in it, above and beyond it… i won t regret!

operating from the heart of brooklyn, ny, the latest artist to sign up to ornate is jordan, whose plush deep house sound has already surfaced via a collaboration with fred p on the deep explorer compilation far & beyond. living on the border of the bushwick and ridgewood neighbourhoods, the title of the ep is a nod to the difference jordan sees between his own spiritual, detailed work and the trend for rougher analogue sounds that have been sweeping the city he calls home. with a focus on expressive, richly melodic synths and delicately balanced rhythms, his music stands apart from the wave of guttural lo-fi sonics, and yet this is still house music with that east coast punch where it counts. with an imminent release for the noted finale sounds imprint establishing jordan well within the remit of high-end house and techno, it gives us great pleasure to present these exercises in soulful immersion, from the three 4/4 driven pieces to the ambient vignette -visage-. with the door open for more experimental interpretations, it made perfect sense to invite former ornate guest leif back to turn out a remix of the track, his own hushed tones having recently graced a critically-acclaimed debut album for fear of flying. it s the ideal complement to an ep of highly developed musicianship that spells another exciting step forward for both jordan and ornate.

presenting the evolution of in syncs undisputed uk techno classic, namely storm. in sync is of course lee purkis, co-founder of the legendary fat cat record store in london and a highly-respected figure among the early underground scene

1. korrupt data is a voyager from a place beyond the stars, communicating via the medium of electronic music.
2. korrupt data takes korrupt data seriously.
3. korrupt data always refers to korrupt data in the third person.
4. confusingly, korrupt data is also the debut album by korrupt data. we didnt really think this through.
5. korrupt data is not who you think it is.

the man behind the end of level boss label, cyclonix, delivers 2 club tracks just the way we like them. already tried and tested in the clubs by our man cottam, who fell in love with the tracks on first listen. they demand to be played in the early hours of the morning in dark basements from nottingham to leyland and beyond. label boss cottam takes over the b side with a leisurely walk back from the supermarket taking the scenic route for no apparent reason.

ooc records is a new sub label and the latest member of the subwax bcn family. first release sees a various artists ep feat. 3 strong, versatile & raw dub techno and detroit sounds. vinyl only, don t snooze..

flying lotus fünftes album ist ein trip, das aehnlich wie das kernthema, der tod, von einer daseinsform zur naechsten springt, sich von einer klangdimension zur naechsten entwickelt. auf youre dead! verschmelzen klangwelten, visuelle welten, metaphysische welten, die virtuos miteinander verwoben einen vollkommen neuen stoff, ein transzendentes, bewusstseinserweiterndes plasma ergeben, das so nur in der Übergangszone oder zwischenwelt existieren kann. musikalisch orientierte sich flying lotus an den großen fusion-jazz-kollektiven der 1960er/1970er und an psychedelic-rock-lps. die anziehungskraft seiner klanglichen traumwelt ist in den letzten jahren so stark geworden, dass inzwischen auch schwergewichte aus anderen sphaeren wie kendrick lamar, snoop dogg oder jazzlegende herbie hancock davon angezogen werden. ein faszinierender, tief berührender trip.

violet poison is the dark, enigmatic and esoteric side-project of francesco baudazzi, already known as obtane, co-owner with giorgio gigli of the defunct techno label zooloft. the new project is focused on analogue proto-techno with influences from 70s italian progressive bands like goblin or ost composers like fabio frizzi and earlier downwards records from 1994-1995.

located beyond neptunes orbit is the dwarf planet haumea, the inspiration behind rodhads second release for token. it follows his spomeniks 12inch from last year which the berliner used to debut on the belgian label, the only other imprint hes released with other than his own dystopian records. over the past three years rodhads reputation has sky-rocketed, not only as an accomplished producer with five releases to his name, but as a big room dj whose formidable presence behind the decks demands as much respect as dvs1 and german big guns dettmann and klock.

we are proud to unveil the seventh release on telefonplan, osirus ep from anders hellberg, a berlin based producer and dj from south sweden. with osirus ep, it is immediately clear that anders is a fan and follower of the old school techno with elements of detroit techno and acid. four righteous slabs of hardware goodness is on the menu this time, all served tight and driving. from the opening track *beyond the stratosphere* with its pulsating rhythm and hypnotizing chords to *gondor*, a heavier, darker and dubbier acid anders showcases his uniquely modern flavour of techno. on the flip, *osirus* is a floor burning chord jam and *respond* finishes things perfect with hypnotic melody.

tribal psychedelic meets roots dub style. 2014 urban tribal vibes!. mystic tribe follows up on his debut ep meditation stick ep on sd records which surpriced many and this is is brand new project on his own mystica tribe records hailing from tokyo delivering some deep, tribal and spiritual music that goes beyond age or space

the dixon avenue basements jams star ascends to the heavens and beyond with a cold crushin killer from modini. these are bonafide summer jams, just in time for the lick of heat we re having and perfect for slamming on whilst you scrape the melted tarmac off the road with a twig and guzzle bombastically coloured fizzy drinks. or alternatively, if you happen to be a fully grown-ass person, a 3-day roof party might do the do. the cut of modini s jib takes the shape of fully fledged funk cloak woven from the silk of the brazilian wandering spider, and adorned with jewels purchased on the black market from what is believed to have been a cache belonging to black caesar, most likely from his days of pillaging the florida keys circa 1718ad. bleepy house jams and halloween synth flurries belting out the mix, slabs of knee-grazing boogie and bulldozing dance floor drama - modini: hear thy name and know the essence of rhythmic grooooove. with this release dabj presents the first in a series of limited edition monotone prints (pictured below) from dan axon - simple ink on paper describing the energy of dabj, it s origins, people, music, direction and future.)

deep, percussive, musical house from this tidy italian producer.. tip!

neroli is back after the big release by dego & 2000 black family. this new ep is the third contribution from trinidadian deep to the label, continuing to follow the way of the previous two: deep spiritual heartfelt tracks.

mr. fingers classics from 1986. re mastered versions from the traxbox compilation. audio restoration by arjan rietvinks digital mastering. released in conjunction with trax / harmless.

dreamy sound scapes and 909 claps dubbed out in cosmic space. from dublin to rotterdam taking in the spirit of detroit and beyond this four tracker va has the summer techno sound. duplex have their own unique detroit on techno on the a side where costelloe gives us his own synth laden sound. the b side mark du mosch and defekt give a more dubbed out approach. this vinyl only release will damage across dancefloors this summer.

talahachi introduce themselves with a four track compilation of melodic techno and deep house. john beltran opens a crystal music-box on pisces. glasgows stephen lopkin treks across rannoch moor. dancer, choreographer and producer sir lord comixx constructs breakbeat techno from his unique perspective and invitation au voyage visits the centre of the periodic table.

with their cinematic music and john carpenters cover albums, we wondered when a real soundtrack by zombie zombie is going to be out? well, here it is now , the two zombies cosmic neman and etienne jaumet finally sign their first film music for the first feature film from director , narimane mari, loubia hamra (bloody beans), to be released in spring 2014. and we found them there, where we do not expect, because it s not a horror movie, but a free movie, a journey of a group of children from a district of algiers during the war of algeria, who becomes aware of life and death.director narimane mari talks about her experience with zombie zombie and creation of the soundtrack for her movie:-i really wanted the music to be as blood flow of images and that is what it is. sharp, dull, full of strange noises, inner or surging, harmonious or disturbed by noise disorder, which allows to read beyond the visual narrative. we are in the bowels of childhood and it shakes us up when we let our-selves be takeover by the living: the profusion. i didn’t want to make a movie where psychology and reason rule and dominate until our senses are weakened, but a movie that we experience with the body and it is them who made it possible, this total immersion.

sacred geometry, complex polyrhythms and clean sound design all collide in the work of manchester outfit, akkord. with their critically acclaimed, self-titled debut album charting high in 2014s end of year lists, akkord are not resting on their success, and are already planning their next assault with this new body of work. hth020 consists of four tracks of much darker, moodier sounds, pairing monumental low-end frequencies with surgically precise production. the whole ep is centred around clammy, ominous atmospheres, underpinned by stomping beats and descending basslines, placing greater emphasis on the space in-between, and textured over with a doomsday ambience. the music that akkord create never strays out of their own minimalistic and direct approach to techno, but from there, and beyond, they touch on an ever-evolving variety of styles, which gradually drive us in front of an overwhelming and riveting soundscape. hth020 comes pressed on 180g grey vinyl, cut and mastered by matt colton at alchemy, with de-bossed artwork and a postcard insert.

cyber dance records are back on the attack with a fresh release from the legendary perseus traxx aka nigel rogers, a 4-track ep entitled after recent scientific developments an apparent horizon . its a firmly machine-based and totally jam-packed affair reflecting diverse sounds from the uk s own rich history of electronic dance music, with elements from the classic warp -deep space sound- prominent as much as the more usual 303-jacking acid house grooves in the vein of baby ford or bam bam. lost dreams opens the record with a floaty dream-like hipnosis from the depths of space and sets the tone in magnificent style, followed up on side a with the irresistible roll of reverse the trend that takes the groove harder, further and deeperstraight off to the beyond. dark strings reminiscent of old lfo, b-12 or autechre vinyls from the early 90s propel us into side b on darkness stalks , and then we re transported onto the concluding track on the ep, distances , an epic closer that opens with beautiful reverbed claps and acid squelches before diving into an inky black void of timeless space-travelling and slow-building tension that could surely echo hauntingly around any m25 rave in the depths of a late 1980s night.

installment #12 on the file under disco label comes from jardin studio orchestra, backed up with remixes from ray mang and jkriv.

limited to 100 transparent red vinyl. holy shit! it is what it is - deep and raw jackin acid house produced the way it has been done back in the days by our brothers from chicago. fatjack kicks it to another level keeping the mood real and providing a message from beyond by tweakin the 303 to the limit … amen!

for their fifteenth transmission from beyond the stars, tom tragos voyage direct label has turned to the unmistakable talent that is boris werner.

tiagos interzona 13 label has two sold out and superb eps to its name already and we are very happy to present their third. tiagos unique reputation as a dj is matched by the distinctive quality of his productions primeira visao sounds like a track that might emerge in the mix on a vintage chicago cassette, iberican jazz-funk top lines and raw, snapping drum machines beneath. segunda visao could quite easily be a vintage black cock or noid release, a wonderfully psychedelic disco rewire, that goes way beyond the world of ten a penny edits finally cruzar facas takes a tougher path to dancefloor emancipation, marrying a fierce, pitched down techno groove to some seriously heady soundscape and tonal effects another beauty then from this outstanding, diverse and incomparable imprint.

dustin zahn makes his album debut in march 2014 with the release of monoliths on adam beyers drumcode label. gestating over a period of a four years during break from releasing original solo material, monoliths sees the minneapolis native capturing the full breadth of his production style in the long-player format for the first time. having become a mainstay of the drumcode line-ups for their berghain residency and beyond, the challenge was set for the berlin-based zahn to build upon the reputation he has established in the past decade-and-a-half since he first arrived on the scene, during which time he has also given a platform to artists such as dvs1, minilogue, psyk and truncate via his enemy records imprint.

the latest installment from the labels mystery man takes us out of the jungle and into the mountains, where syncopated analog rhythms dance beside electric melodies surrounding a caravan of textures and reflection. not much else needs to be said about this one except its either for you or not, if so, enjoy and elevate.

following label own conception as a theater stage and an ideal space for artists and musicians, kuba sojka definitely fits envlp plans with *music from vhs tapes ep*. a work that goes beyond italian borders and confirms the international fame, immediately reached with the amazing *der himmer über berlin*.

dustin zahn makes his album debut in march 2014 with the release of monoliths on adam beyers drumcode label. gestating over a period of a four years during break from releasing original solo material, monoliths sees the minneapolis native capturing the full breadth of his production style in the long-player format for the first time. having become a mainstay of the drumcode line-ups for their berghain residency and beyond, the challenge was set for the berlin-based zahn to build upon the reputation he has established in the past decade-and-a-half since he first arrived on the scene, during which time he has also given a platform to artists such as dvs1, minilogue, psyk and truncate via his enemy records imprint

ambareesh invites you into a paradoxical fusion of murky sound that pushes boundaries beyond banality. the juxtaposed *emotionless sensitivity* penetrates the senses creating a canal for deep sensitivity that runs contrary to indifference. between the rugged, jagged appearance lay the intricate essence of hidden quality as tracks reveal provoking denotation. *illusion* reveals the deep trudging that cuts through the whipping vibe. *bipolar nervous system* brings a sense of suffocation as the tormenting tandem of fragmented sound haunts the solar plexus. *walking through sand dunes* is a carefully constructed piece, stimulating successive pulsation as frightful ambience permeates. virile, cagey crawling sensations infuse as ambareesh concludes with *dehydrated*, a hollow, sterile piece of synthetic techno. this second ep by ambareesh on amba amba records is truly a careful union of tumultuous sound, provoking rowdy sensation that stimulates visceral response.

its been over half a year since youand:themachines album behind first saw the light of night. now its time to presents a nice remix package with some of the favourite artists of martin.

*** achtung tape (cassete) , kein vinyl!! ***
its been over half a year since youand:themachines album behind first saw the light of night. now its time to presents a nice remix package with some of the favourite artists of martin.

over the course of four eps for numbers and creation of his own label ‘total fantasy’, deadboy has charted his own path far beyond the deep black space of mediocrity with previous records ‘if u want me’, ‘here’ & ‘blaquewerk’. on ‘return’ deadboy journeys further into uncharted territories, taking his music to the darkest recesses of disco and extraterrestrial synth-werk. the opening track ‘return’ finds the london-based producer taking cues from the likes of tangerine dream and klaus schulze with a gentle ambient opener that unwraps to reveal a beautiful and moving track. ‘des niles’ is a shimmering disco track built around an 80s boogie bassline, plus those killer deadboy vocal chop-ups that take us even deeper into the producers nighttime world. samples are worked to within an inch of their life on the floor-ready ‘yhvh’, whilst punchy bass and synth stabs take care of the rest. things then move swiftly on to ‘life code’, with the deadboy once again notching the tempo down and letting the track’s wistful oriental melodies ride out into the dark.

each ep adopts the work of an artist translated to musical form.
when you dream where does the light come from? there is a light that has clarity as great or greater than the daylight vision, and a lucidity of color that s beyond how we see color now ... i m interested in the point where this meets the imaginative vision that comes from seeing what we want to think of physical reality as outside, because it has a lot to do all which how we create reality. - james turell
within the walls, lighting(s), james turrell built spaces of solid material. the aim is not to also penetrate the foundations, passing through space, leading us to consider the immaterial, the mind. divergent ways first four compositions much like the four first light compositions, have sought to externalise the imaginative vision making it apparent.

breaking news!? luke solomun on gomma sublabel toy tonics!

turbo turbo and s-file strikes back with a new collab track. their last single refusion was widely supported by artists around the globe (from dave clarke, jacques lu cont, benjamin damage, soulwax, djedjotronic, j tijn, shadow dancer and fake blood to groove armada and beyond)

the vinyl is housed in the original jacket featuring stark black and white photos of pier 13. each lp includes a double sided 11x11 insert with lyrics, photos of the band and the atmospheric pier. crash course in science go above and beyond what is considered new wave in attitude and sound.

christopher rau strikes back with another smallville episode of dreams that money can buy. after a couple of diverse releases lately on office, dérive and junk-yard collections, he proves his unique exposure to deeply diving with the machines again on smallville. christopher raus aural works feel like an outer worlds embrace, an analog kiss from the beyond. here it is the soundtrack made for our favorite places to escape reality: a magic club, a deepest dream. dont wake up!

strong techno on a global level featuring swedish producer petter b who is originally known for his work under the name hertz years ago now joins the roster and throws down two big room bombs that have been getting strong play in all the major clubs. on the flip side ukrainian producer rhomb returns to form with two cuts one deep and one jackin that make this ep a real killer, dont sleep on this. tip from beyond!

next dirty and raw krill music by charlton. pure underground cutz!

the second coming. finlands otherworldly electro lords blastromen return to the dominance electricity mothership to deliver their much anticipated second longplayer. the eight new compositions featured on *reality opens* continue where their debut album *human beyond* left off in the year 2010 and lead straight to the next level. sophisticated arangements with epic synth melodies and atmospheres, haunting electro breakbeats and elaborate vocoderized lyrics prove once again that blastromen are a class of their own.

following their acclaimed debut album, migration, on prins thomas internasjonal label in 2012, jamie paton and nigel hoyle (aka nigel of bermondsey) have seemed relatively quiet save for the odd remix here and there. tucked away deep in their south east london base though, a series of remixes and solo projects have been steadily forming. with new c&a material planned for 2014, plus more to come from jamies new solo efforts, as well as nigel making a long overdue reappearance in maurice & charles, now seems the right time to draw a line under their collective work to date. here then are a collection of unreleased interpretatons, including the sought after vocal remix of psychedlic darlings, in goats anthemic run to your mama. this is followed by a late night dub of 80s pop duo blancmange that mixes strings, guitar and some dub bass with a dose of space echo before bringing neil arthur s classicly recognisable refrain shining through. to finish is a remix of goats label mates teeth of the sea. fx-soundtrack vocal, bubbling 303 and 808 combine on a proper 3am dub that builds beyond some mere drug-chug.